Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.
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May 21, 1969
Feb 3, 1944
May 1, 2006
Sep 13, 2014
Jul 15, 2008
Sep 27, 1957
Oct 16, 1916
Feb 12, 2022
Mar 7, 2016
Apr 28, 2023
Sep 22, 1991
Feb 8, 2019
Dec 4, 1989
Jan 1, 1956
Nov 1, 1986
Invalid Date
Apr 25, 2018
Oct 23, 1988