Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.
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May 21, 1969
Nov 24, 1993
Nov 1, 2006
Sep 1, 1989
Sep 30, 2020
Mar 11, 2011
Jun 15, 2020
Sep 27, 2010
Jul 4, 2015
Dec 31, 1993
Feb 25, 2011
Jan 1, 1985
Jul 16, 1999
Mar 1, 2019
Mar 31, 1980
Aug 2, 2014
Aug 23, 1975
Aug 3, 1996
Nov 7, 2024
May 21, 2021