Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence.
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Oct 10, 1952
May 21, 1969
Sep 28, 2019
Sep 19, 2018
Feb 22, 2018
Feb 18, 1938
Nov 3, 2017
Nov 16, 2018
Nov 12, 2019
Jul 6, 2022
May 28, 1958
Feb 24, 2017
Aug 21, 2019
Aug 9, 2018
Mar 4, 2022
Dec 15, 2015
Oct 3, 2024
Oct 9, 2020
Mar 7, 1975
Jun 1, 2016
